Aestrix (
aestrix) wrote in
pixiethreads2015-11-28 08:29 pm
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Pre-Jump Earth Literature
It's a new term, and the end of the break between terms most students have been enjoying. But time marches ever on, and so at 1:00 PM, just after lunch, twenty-six students all around the age of fifteen are finding seats in an obnoxiously decorated classroom. It's one of those classrooms that tries very hard to be peppy and inspirational, and only succeeds at being very out of touch, and kind of creepy.
Soon it will be time to read about things long-dead people wrote.
Soon it will be time to read about things long-dead people wrote.
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Except... one of them is going noticeably faster than the other, and after a few loops they collide, knocking themselves out of the air. One is recaptured by a different set of magnets and the other one falls on the floor.
This gives him an Idea.
He sets up the endless loop again just because he can, and then he tries to figure out how to turn the rest of the contraption into a racetrack.
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She starts on a third, convinced that while this one might not be perfect, it might look something like what she's trying to achieve instead of not.
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A few minutes of careful construction and testing later, he has two long near-identical courses spiraling down and then up again from two adjacent entry points controlled from the same station. If they're truly identical, the balls will collide in midair, up near the top of the contraption; if one course gives better acceleration than the other, the winner will pass through that space first; and either way, both balls will hopefully be caught by the leftover contraption elements he set up for that purpose, but he can't be sure they won't fall on the floor until he tries it.
He releases his racers simultaneously into their respective tracks.
They pick up speed pretty fast - he thinks he might have underestimated how much acceleration they're getting from those long curving sections. In fact he's now kind of worried that—
CRACK. CRACK.
Miles makes enough semirandom changes to scramble his racetrack-railgun past recovery as quickly as possible, and then he steps away from the contraption's enclosure, which now has two spectacular spiderwebbing cracks in its glass walls, up high on opposite sides of the enormous cylinder.
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Either way, she's pleased with her third result. She's just finishing up the final touches of it, coaxing geometrically perfect spirals into something more organic when a very loud something startles her out of her fugue.
She looks up in alarm at the loud noises. She notes the cracks in the contraption's enclosure.
".... Um, Miles?"
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Then she looks at the contraption again. "And - yes, yes, let us. Go look at another exhibit now. Molecular biology?"
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Yvette kind of would like to ask how the hell he even managed to do that, but she suspects he might like to just never talk about it again.
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The molecular biology exhibit seems like it might be less wildly oversimplified than the wormholes exhibit, but Miles doesn't know a thing about molecular biology so he has no good way to tell for sure.
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"This museum is very good at making everything pretty and approachable," she observes.
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"How did you even manage that, anyway?"
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".... You made a railgun out of the exhibit? The exhibit could be made into a railgun?!"
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